Wiseton Brutus has done it again. His Celtic-inspired designs of crosses and claddaughs are wonderful. (And have, incidentally, been selling like hotcakes!) They are his Haitian homage to familiar and ancient symbols of of Ireland; their classic forms embellished with intricate knot designs typical of the Celtic tradition.
And now: Enter the dragon! A powerful image, fearsome yet charismatic. It is difficult not to be drawn to its aura of mystery and magic. Wiseton has made two, both unmistakably Celtic, with distinctive interlocking knots front and center.
In medieval Ireland, the dragon was thought to have been the First Being, a seed born of the Earth and fertilized by the Sea and Sky. From this union, the dragon sprung forth, a supernatural creature that held the secrets of the universe. Where it walked, a pathway of cosmic energy remained. Druids were Celtic “seers,” capable of finding these pathways, which were known as leys. In fact, the modern phrase, “getting the lay of the land,” is derived from the ancient practice of Druids looking for the “ley of the land.” With their ability to see the ley left in the wake of a dragon’s footsteps, they could reveal those places which had been cosmically “energized,” and designate them for temples, monuments, and festivals.
Later, when Celtic Ireland became Christianized, the dragon assumed the persona of Satan. A serious reversal of roles, the dragon was thenceforward regarded as a formidable foe to be vanquished. Saints, kings, and knights alike threw their righteous might against the forces of that Evil so that Peace, Justice, and Holiness would prevail.
Maybe you thought a Celtic dragon was merely cool…
Contributed by Linda for It’s Cactus