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Lost in Translation

It is shameful to me that, with the multitude of opportunities I have had throughout my life to change the fact, I am monolingual. Sad but true. English is the only language for which I have any real skill at all.

Having spent time in several foreign countries for a significant portion of my adult life, it’s not like I couldn’t have learned. I just didn’t. Well, it’s not like I didn’t learn ANYTHING. I can order rice in Thailand in Thai, I can ask for directions in German, I can say my colors and numbers in French, and I can ask the Spanish-speaking guide in Ecuador how much further we have to walk through these mountains to get back to the car. But that is the pinnacle of my achievement.

Therefore, it is hard to be critical of our Haitian metal artists that write to me in English to give me their biographical information so that I can share their stories with our customers. In truth, I am impressed that they can do it at all. For that matter, I am impressed that they even try. Creole is the mother tongue in Haiti – a blend of French and West African languages – and my pidgin French is of little use between us. In fact, it gets me into trouble because I think I understand when I don’t. Or sometimes, I don’t understand that I don’t understand, which is even worse.

In the first place, Haitian names are elusive. Generally, Haitians call each other by their first names, but they write them family name first. So Wiseton Brutus is Wiseton to his friends, but he signs his name on his work as Brutus Wiseton. What I took to be a great propensity for naming boy children Brutus is actually just a very big family with many households in Croix-des-Bouquets. Notice that I said, “generally.” That’s because sometimes they both call each other and write their names first name first. Julio Balan is Julio Balan. The fun is figuring out who does what. It’s a pretty good game!

Then there is deciphering the information I receive. I give the artists questions to help them get started and one I often ask is where they get their inspiration for their art. Here is one recent response: “While i am on my bed thinking about my work and i see all artisant do the work i said let me try to do the different work.” I took that to mean that he thinks about what other artists are doing and he tries to come up with something else. Something unique. Awesome! Not a huge linguistic leap, and it’s a great artistic technique. So I took what I assumed he meant and that’s how I wrote it. (And my journalism professor just rolled over in his grave.)

By far the most challenging are the shots out of the blue. The information offered is not related to anything I’ve asked, yet it is put down earnestly with every hope that it will be helpful to me and of interest to the people that buy their work. There have been many examples over the years, but here is my current favorite: “i in metal since when i was 15 years old i still work because i love my job i am a selibate.” Um. Yes. Some things are just lost in translation.

 

Contributed by Linda for It’s Cactus


Grace from the *&% # – hole

Haitian Metal Artist Claudy Soulouque with his Peace on Earth design.

From Haiti, our artists respond to President Trump’s poisonous words with messages of kindness and wisdom.

The following letter was written and sent by Casey last week to our artists in Haiti. She felt – as so many of us did – that there needed to be a counterpoint to the deplorable words spoken by President Trump about their country the week before. Here is her email, as well as a few representative emails she received in response. These emails reaffirmed the grace and courage we have always admired in our Haitian partners.
Dear Roody and Friends,
 
After last week my mind has been troubled and I wanted to reach out. The US President said horrible things about Haiti, El Salvador, and the countries of Africa.
 
The hurtful comments made by President Trump regarding Haiti and others are shameful to me. I deeply regret the thoughtless disrespect that he as shown and I am embarrassed. He has no understanding of the courageous struggles of the Haitian, Salvadorean, and African peoples and their work to rise to a new dawn of a brighter future.
 
I as well as millions of Americans am appalled. We will never abandon you. We respect the great character of your peoples and pledge ourselves to select better leadership for the United States. The current Administration fails to represent the loving spirit of the America and its high regard for the dignity of the human race.
 
I am so sorry for the offensive words and actions of our President.
Casey
Below are samples of the replies we received.
From Shelove Vilsaint:  “I will let you the USA is a good country of good people. I love the USA people, even if Donald Trump is a racism.  Every country have somebody racism too…”
 
 From Ghisnet St. Bonheur:  “Okay, so don’t worry about it.  Even if he is the President of the USA, but it is not the word of all the american people. I already know how much american people appreciate Haiti as you show it. We love all countries in the world, together let’s fight for a peace world.”
 
From Roody Soulouque:  “I realize that he’s [President Trump] trying to put everything in order for his country just because he loves his country and cares for his country.  I remember he always promised to put the interest of America first….No human being is perfect and always sees things just. I recognize it but the US needs to deal with other nations, needs to deal with us.”
I hate to go political here, but I feel I must. The world is a small place and we in the US are responsible to it.  Let’s all commit ourselves to selecting better leadership in future elections.  From races for city council seats to the highest office in America let us become informed and involved.  Let’s demand better from our leaders – and let’s get it.
 Contributed by Linda for It’s Cactus

How Much Money Goes Back to the Artists?

Casey, the indispensable Franz, and Jean Rony in Jean’s workshop. Discussions in progress!

If we’ve heard that question once, we’ve heard it a thousand times.  And it’s a good one. The quick response is, “None goes back, because we pay 100 percent up front. They get paid first.” But that isn’t really a complete or direct answer, is it? (Yeah, I know, I kind of dodged it.) Still, it’s a hard question to answer because there isn’t one “absolutely all-the-time” firm, formulaic response. (I think I just saw you roll your eyes…)

Let me start by saying that we negotiate the price for every new piece we order.  Artists tell us what they would like to get, and we consider what end price the market will bear. If we can compensate them at their asking price, cover our costs, and turn their pieces over quickly in the marketplace, we’ve got the magic number. Dealing is done.  But sometimes the magic number comes after going back to the pencil and paper a time or two. Sometimes the artists have to re-think what they hope to make.  Or sometimes we say, “Okay, we’ll try it at that price and see if it moves. ” And we’ve even said, “Oh, we can do better for you than that. Let’s go higher.”

Hand hammered folk art from Haiti

Sculpture al fresco in Haiti.

 

I can tell you honestly that I have watched these discussions a hundred times, and all of those responses have occurred. Generally, the more experienced the artist, the better feel he has for pricing.  His asking price and our buying price are easily matched and settled with a smile and handshake. We’ve been doing this successfully for a while now and so have they.  Together, we’ve learned that these exchanges yield the best results for everybody. It’s all good!

So then what?

The artist receives his order, for say thirty of his “Flower with Hummingbird” designs.  At the time he receives that order, he also receives full payment for all thirty pieces.  In this way, we not only meet, we exceed fair trade practice guidelines, which set a 50% minimum.  One month later, the art is delivered to our warehouse.  In other words, we absorb all of the risk.  If a flood washes out the workshop, the loss is ours. Not everyone works on those terms, but we do.  Always have, always will.

And there you have it.  The answer is somewhat circuitous, but the clear result is win-win.  (Oh! I just saw you roll your eyes again…)

Contributed by Linda for It’s Cactus

 

 


Bringing Haiti Home

Mary Ragsdale will film video for itscactus

Meet Mary Ragsdale, who will be helping us bring Haiti home to you.

We’ve got an exciting few days ahead – another buying trip to Haiti! But this time, we are fortunate to have an additional intrepid traveller with us. Along with Casey and her mom Gigi and I, Mary Ragsdale will be joining us. And Mary’s got skills. I personally regard them as superpowers, for SHE does video….

Everybody knows that video tells a story that simple photos cannot. With Mary behind the camera, we will be able to share with you so much more of the Haitian experience than we’ve ever been able to before. We’ve had the “Visit Haiti” segment on our website for quite some time but now we’ll elevate the whole production, with a start-to-finish clip on how Haitian metal sculpture is made.

You will also see scenes of of Croix-des-Bouquets and daily life. We’ll do a video piece on pumping water and the women who head carry it back

Video will help bring the Haiti we love home.

Video will be another way for you to meet our artists and their families.

to their homes for washing, drinking and cooking. In a voodoo temple, we’ll take viewers on a “nickel tour” and interview practitioners on some of their rituals and observances. Another piece we’ve got in mind is on voodoo flags, how they are made and how they are sold on the “Voodoo Tree.” All in all, the newly shot videos will enable us to share our experiences and provide a glimpse into the lives and work of our artists and their families in Haiti.

It’s a pretty heady prospect! It is so helpful for people understand the art that they buy, where it comes from, what it takes to create it, and how their purchases helps the artists who produce it. Understanding takes the enthusiasm level from “I like it,” to “I love it!” And that’s just what we llke to hear!

 

Contributed by Linda for It’s Cactus

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