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Child Labor and Work Ethics

Recently, I was filling out a portion of the application for renewal of our Fair Trade Federation certification.  One of the questions read as follows:  “How often does your business evaluate children’s roles in production?” It was clear to me that this question was leading to the defense against practices of children being forced to work and thereby unable to be children. Children who can play and go to school and relax on a lazy day in the sun.  You can bet that It’s Cactus is firmly in that camp. Kids should be kids!

Certainly there are endless heart-breaking examples of children being treated as little more than slaves, forced by economic circumstance to labor long hours at the expense of their education, and furthermore, their childhood. I have blogged about such children in Haiti, who suffer under the restavek system. (Sept. 13,2013  The Price of Poverty:  300,000 Cinderella and No Ball.) They are children of poor families “given” to be raised by wealthier “foster families” of dubious intent.  In exchange for labor, a restavek child is supposedly afforded the opportunity for an education. All too often, however, that exchange for the child translates into exploitation and abuse. Though we have never seen this practice in our own Haitian experiences, we stand in total opposition to it.  In fact, our work in Haiti is undertaken to elevate economic conditions so that such practices are no longer even considered to be possible solutions to a problem. We strive to make them unthinkable.

Having said that, however, we are happy to see children given tasks and responsibilities for which they may or may not be  monetarily compensated as a means of cultivating a strong work ethic that will serve them well throughout their years. Coming home after school and flattening out a few pieces of metal in their father’s workshop is a healthy means of accomplishing this end. In fact, Casey is rather adamant that her own daughter pitches in for It’s Cactus. And she does, working in the booth at shows during the summer and writing out price tags after school. In Casey’s words:  “You could call it child labor, I suppose, but I prefer to think of it as good parenting. Its an opportunity for her to learn and to participate. To develop a sense of responsibility, satisfaction and pride in the work that she has done. It helps our business and working together becomes a shared family experience. It’s good for all of us!”

 

Contributed by Linda for It’s Cactus


Savvy Shoppers Ask Questions and We Have Answers on Fair Trade

Watching a video of how Haitian metal art is madeWe are back from the Pennsylvania Horticulture Society’s Flower Show and happy to report that it was another successful run.  Despite snowstorms and every sort of precipitation that Mother Nature could cause to fall during the ten-day event, the Flower Show participants proved their mettle and pluck and came in great numbers to revel in the beauty of the event….and to SHOP!

The It’s Cactus crew was pleased to welcome old friends and new to our brightly-colored signature booth.

 

Over and over, we shared the story of how our metal sculptures are made from recycled oil barrels by village artisans in Haiti.  It is always gratifying to know how important our practice of Fair Trade is to increasing numbers of shoppers who not only want to buy hand-crafted art, but also want their purchases to support a greater good.  Time and again we were asked, “How much goes back to the artists?” and we were always proud to say that, “None goes back because they have already been paid 100 percent up front.”

This response may sound flippant and seem like it evades the question, but it is actually an important point. By trading in this manner, the artists do not have to make initial outlays for materials and labor out-of-pocket and wait for the return on their investments. Such lags, while endurable in strong economies, are virtually untenable in Haiti. Paying up front eliminates that stress and financial burden for the artist, and in many cases, makes trade possible at all. In fact, paying 100 percent up front far exceeds the amount required by the Fair Trade Federation of its members.

Moreover, prices are negotiated with the artist for each design that we purchase. The artist is a full participant in that decision-making process. Always the discussion includes questions such as, “What do you need to make on this piece so that it is sustainable for you?”  “What can we do to price this piece equitably for you and attractively for our customers?” Along these same lines, we exchange ideas about design, quality control, and consistent flow of output. In so doing, our experience with the marketplace and theirs about the creative process becomes shared knowledge.

Like the flowers, it’s a beautiful thing….

 

Contributed by Linda for It’s Cactus


Busting Fair Trade Myths

Weather-proofing metal art from HaitiIt’s Cactus, we are happy to report, has recently been re-certified by the Fair Trade Federation for another year. The Fair Trade Federation requires that participating businesses conform to strict guidelines and verification requires a huge amount of effort annually, including a mountain data entry and submitting another mountain of online forms. However, it is important to us that we are recognized as being in compliance, and we “wear” our certification proudly. We know that many people prefer to purchase Fair Trade products – we do too! We also know that many people are not clear about the meaning of Fair Trade, and that many misconceptions surround its meaning. With that in mind, here are a few of myths that need busting:

Fair Trade is a fancy phrase for charity. Charity is a hand-out. Fair Trade is a hand up. Both have their purposes. Charity is an excellent short-term solution for many problems. Responses to natural disasters, for instance, are perfect targets for charitable giving. Charity is not, however, a long-term solution for perpetual poverty. in fact, it can have the completely undesirable consequence of creating perpetual dependency. In order to rise above dire economic straits, people need to help themselves, and that is where Fair Trade comes in. By treating producers as trading partners, by according them dignity and respect, by allowing them to participate in profit-earning, by leveling the playing field so that they can compete in the marketplace, Fair Trade practice offers the hand up that leads producers, ultimately, to being able to stand proudly on their own two feet.

Latin American textiles are made according to centuries of traditionFair Trade takes jobs away from Americans. In this political climate where “Making America Great Again” is a heavily-favored populist theme, it is important to demonstrate that Fair Trade is not crippling America’s workforce. In most cases, Fair Trade products, whether they are agricultural – such as cocoa and coffee – or artisanal – such as our metal sculptures from Haiti – are not, nor have they ever been produced in the US. They are unique to the countries from which they originate, often following years of indigenous tradition, and they are products desired by US consumers in part because of their exotic quality. There has always been a market in the US for imported goods; indeed it is folly to think that America can or should produce everything under the sun. American jobs are not being destroyed or “moved overseas” as a result of Fair Trade. These are jobs that were never here in the first place.

Fair Trade products are simple craft items that anyone could make. Not true! Particularly when applied to folk art items. Our marvelous Latin American textiles are excellent examples. These are handmade pieces that follow generation upon generation of tradition. Many of the centuries-old patterns worked into these textiles represent very specific origins, with mystical elements that might escape the first glance of an untrained eye. The artist starts  training as a young child and it takes years to attain mastery. Though the work may be unrefined, it is in no way “simple.”

Friends of ours, “Fair Trade Winds” have a terrific website that explains all of this and more. Scroll down to the bottom of their homepage and click on anything under the category “Learn.” They provide a wealth of information, and demonstrate through beautiful photos and words why Fair Trade is a wonderful thing!

 

Contributed by Linda for It’s Cactus


Fair Trade – Good for Everyone

IMG_1318 (640x486)Since 2007, Beyond Borders has been a member of the Fair Trade Federation, at that time becoming an officially recognized participant in the global fair trade movement. We have always been committed to building equitable and sustainable trading partnerships and creating opportunities to alleviate poverty. Membership has put a stamp on those efforts. In keeping with fair trade practices, our purchasing and production choices are made with concern for the well-being of people and the environment. We work to create opportunity for so that our craftsmen and artisans may have viable economic options to meet their own needs. We engage in trading practices that honor the value of labor and dignity of all people.

Fair Trade Federation members are required to demonstrate compliance with the Nine Principles of Membership.  We are evaluated on these principles not just once to get in the door, but every single year.  The Nine Principles are as follows:

*Creating Opportunities for Economically and Socially Marginalized ProducersCaleb Belony with Casey and clan (480x640)

*Developing Transparent and Accountable Relationships

*Build Capacity

*Promote Fair Trade

*Pay promptly and fairly

*Support safe and empowering working conditions

*Ensure the rights of children

*Cultivate environmentally stewardship

*Respect cultural identity

 

YThere is actually a 34 page down-loadable pdf.document on the Fair Trade Federation website  which outlines very specifically The Fair Trade Federation Code of Practice. (View it here: http://www.fairtradefederation.org/fair-trade-federation-code-of-practice/ ) This is a REALLY BIG DEAL and we take our responsibilities of membership very seriously, going above and beyond the minimums required.  For example, we pay  100% for every order up front – not  simply for the cost  of materials with the rest payable on delivery. Beyond Borders sends an average of $30,000 for orders to our artists in Haiti with completed goods shipped to us in return on a monthly basis. The impact of this type of trade in the lives of the artists is enormous.   Yinder Decembre, a talented sculptor  of  beautiful sun-faced children puts it this way, “These children represent the sun shining on the future.  If I can sell my work, I can  build my house and take care of my brothers and sisters.  I have faith that everything will be okay.”

Contributed by Linda for Beyond Borders/It’s Cactus

 

 

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